Scenes of Brutality: What Are We Thinking?

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art of writing, brutality, craft of writing, creative writing, Game of Thrones, graphic content, graphic scenes, Outlander, sadism, sadistic, writing a book, writing a story, writing fiction

Before I get started, I know I mentioned that I would be writing my weekly posts on Mondays. However, it looks like Tuesdays work better for my schedule. So for now on, expect posts from me on Tuesdays.

Photo via Wikimedia Commons

So, I am currently watching the Starz series Outlander on Amazon. For those who do not know, it is about a 1940s Englishwoman, Claire Beauchamp, who is transported back two hundreds in 18th century Scotland. Since this is the 1740s, there’s a lot of brutality going on, especially with a captain of the English army in Scotland, “Black Jack” Randall, who tortures the Scottish people left and right. There’s even a scene where Claire’s husband, Jamie Fraser, is tortured and then raped by Randall.

Now, I didn’t read the books that this series is based on, but I understand that the show is closely based on the books written by Diana Gabaldon. If so, it makes me wonder why she would put in a scene where a man graphically rapes another man. Yes, there are a lot of male-on-female rapes, floggings and beatings in Outlander, but it is easy to brush them off as that was the time period back then. But that scene has been haunting me. I guess it is because I’m one of those who has grown attached to Claire and Jamie, and couldn’t tolerate Jamie being tortured that way. Yes, Claire was raped or almost raped herself, but the show didn’t graphically display that as much as Jamie.

It also haunts me because last week, I was working on my WIP, which picks up where Claire McCormick and Daniel Poncher are in the trilogy. I was writing feverishly and in a stream-of-consciousness way. As a result, I ended up writing a part where Daniel graphically rapes Claire. Yeah, I did that. I went there.

Now, there are other scenes when Daniel does that, but it is not as brutal and more of a coerced sex way. But when I wrote that part, I was so bothered and disturbed that I had done that, and I ended up deleting it. Watching that scene on Outlander helped me do so.

Which has me thinking about why we writers write such graphic scenes, and just what the hell are we thinking? When I wrote that scene in my WIP, I was rattled and wondered if I have a sadistic side of me somewhere deep in my sub-conscious. I have to admit part of me felt truly satisfied with that scene, and was disappointed when I deleted it. I am now considering adding it back in.

Is there something wrong with me? Do I love torturing my characters? Am I sadistic somehow?

Heck, it makes you wonder if someone like George R. R. Martin, the author of the books that would inspire the HBO series, Game of Thrones, is sadistic. I mean, all of his characters go through hell, and some get brutally raped or brutally murdered. It is enough to leave readers and viewers shaken.

So, what are we writers thinking? Are we cruel? Or just going along with the muses in our heads?

I think the bottom line is whether these brutal scenes are worth it for the entire story. If it does not add something to the whole story, however violent it is, then it is pointless – and even sadistic. Perhaps what should be more disturbing is how violent human nature is, and we writers are just representing and expressing that in our work. If human nature were not so cruel and barbaric itself, then maybe we would not write such things.

But what of the satisfaction that comes with writing those parts? I think the reason why part of me was satisfied with the now-deleted scene where Daniel rapes Claire is because it flowed so well, from one action to another and another. The part before Daniel attacks Claire had me excited because there was so much emotion and action going on. But once I wrote the rape part, I was like, ‘what have I done?”

Is it worth having in the story? I don’t know yet, I’m still debating. But one thing I’ve been learning while watching Outlander, and even other shows, is that writers aren’t really sadists. Human nature is, and so are our muses. We’re just writing what works for the story and the characters, and what is streaming out of our consciousness.

But it is also vital for us to wonder whether all the violence is gratuitous and even worth portraying at all.

 

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When It Comes To Writing, Don’t Overdo It

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art of writing, authors, book sequels, novelists, On Writing, the craft of writing, the writing process, vampires, writers, writing, writing a book, writing a novel, writing a story, writing advice

Writing a book teaches you a lot of things. You think you know, but you don’t know, and writing a book is quite an experience.

Writing a sequel is the same thing, only more. You continue to grow as a writer, while also learning tons about writing a follow-up.

Click here for original image on Jim Delorey’s website

One thing I am learning about writing a sequel is, don’t overdo it.

Heck, you shouldn’t overdo it when you write a first or stand-alone book.

But as I write my sequel, I realize there are times when I lose focus and I start to overdo it with my storytelling. Writing a sequel means picking up where you left off with the first book, and carrying on into another story or extending with the first book’s story. It is not as easy as it sounds. Especially when you realize there were some things that could’ve gone into the first book, and now you’re mentioning it in the second book.

And then you realize others things could be brought up. It’s like opening a can of worms when you write.

As I mentioned in my post about writing about vampires, world building is so much fun. But at times, it can be too much fun, and you might lose direction. That was a problem I had writing my sequel; I was having too much fun exploring the vampire world that I lost track of what I wanted the story to be about. When I revisited my work recently, I saw this and had to delete or re-arrange a few things.

Writing a story is so much fun. Writing a book is such a delight. But don’t try too hard. Don’t overdo anything. You can lose track and overwhelm yourself, your characters and the story altogether.

 

Writing the Theme of Your Story

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art of writing, authors, character arc, character development, craft of writing, creative writing, story arc, story development, story theme, theme, themes, writers, writing, writing a book, writing a novel, writing a story

Themes are a big part of a story, any story – especially the good ones. They’re as important as, say, character arcs, plot development and so on. They’re the heart and soul of the story.

As author K.M. Weiland explained on her website:

Why are you writing this story? Why are you writing about these characters? What is it about their journey that has drawn your heart? What is the core of the tale? Justice, mercy, love, revenge, self-discovery? Whatever it is that’s moving the characters is what’s also moving your story. That’s your theme.

Supposedly, theme cannot be planned or forced, but instead come naturally. Theme appears in the story as you write your arcs and developments. It blossoms on its own, an echo of your subconscious. It is the fuel for your story. It is the reason why a writer writes in the first place.

Anne Rice wrote Interview with the Vampire to explore death, mortality and losing God. The Kite Runner is look at the complicated relationship between fathers and sons. Love in the Time of Cholera‘s theme is love in all its variations.

So, why did I write The Dark Proposal? And why am I writing its sequel?

The reason why I wrote my first book is because I wanted to explore abusive relationships. Having been in difficult ones – though no where near as Claire did with Daniel – I felt like I needed a release. I also wanted to write a vampire story where the vampires were once again evil and deadly – the exact opposite of what was popular four years ago.

But did I succeed with theme? What was the theme of my story?

Chuck Wendig describes theme on his blog as:

Every story’s trying to say something. It’s trying to beam an idea, a message, into the minds of the readers. In this way, every story is an argument. It’s the writer making a case. It’s the writer saying, “All of life is suffering.” Or, “Man will be undone by his prideful reach.” Or “Love blows.” Or, “If you dance with the Devil Wombat, you get cornholed by the Devil Wombat.” This argument is the story’s theme.

A friend of mine says the central idea of The Dark Proposal was “be careful what you wish for”. He explains that Claire so wanted to have a rich lifestyle, that she was blind to Daniel’s abusive ways, and then later, used it as escapism for the vampire life she was about to enter. That’s one way to look at the argument.

Image via Pixabay

I have grown so much as a writer during the four years since I wrote my first book. Today, I am focused on going deep with my stories and being more honest with myself when I write. I don’t think I was very honest as a writer when I wrote The Dark Proposal. Part of me cringes when I admit that. But as one musician friend told me, if you do that, then it means you are growing as an artist.

Writing from the heart is not easy. You are literally exposing yourself as a human to hundreds, thousands and maybe even more to judge and tear apart. It is scary enough to produce a book that you poured your heart and soul into. And by that, I don’t mean every part of your mind. The best artworks come from the very essence of the person, their heart.

So as I seek to be more honest as a writer, what theme do I hope will come out of The Dark Proposal’s sequel? I know I cannot force it, but I really hope redemption and healing would be one or both. Actually, I hope it will be the theme for the whole trilogy (yes, my book was meant to be the first of three). I also like the whole “be careful what you wish for” theme will come into play. I’m sure there’s always more than one theme in a story, or different ways to figure out the theme.

Or rather, what kind of redemption and healing do my characters need in order to fuel that theme?

Claire needs to heal and be redeemed from her mistakes and naivete. Daniel needs to be redeemed from being so evil. There is room for redemption and healing for Hilde, the Five Brothers and even The Black Roses. Even Samantha and Monica need to heal. There’s a lot of pain in The Dark Proposal, and everyone has a lot of coming to terms to do.

Which raises another question: what kind of writer do I intend to be? Sure, I want to be one that goes deep with questions and the human experience. But will be the regular theme in my stories? Will there always be a re-occurring one? Who knows? But since themes come from the heart of the writer, maybe the themes of my stories will be similar, just written differently. Or not. It also depends on the perspective of the reader.

The key here is to keep on writing, and get more to the heart of what I’m trying to say, or express. But I obviously cannot force myself to expose my heart in a story, just like a theme cannot be forced.

I’ll let Chuck Wendig finish off the meaning of theme:

A writer can engineer the theme — building it into the work. Or a writer can unearth it — discovering its tendrils after the work is written.

 

Getting Past the Third Chapter

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art of writing, author, books, creative writing, fiction writing, novel, novelists, novels, On Writing, writers, writing, writing a book, writing a novel, writing fiction

I did it. I finally did it.

Earlier this month, I finally did something I was afraid I wouldn’t be able to do.

I completed the third chapter of my sequel.

Holy crap. I did it!

Photo via Wikimedia Commons

I always felt the third chapter should be the springboard in a story. It certainly was with “The Dark Proposal”, and I wanted the same with its sequel. The first two chapters were like a gathering of information, an intro to what the book will be based on. The third chapter feels like it will build on all of that, and set off the rest of the book. But for a long time, every time I worked on the sequel, I just couldn’t get past the third chapter.

This was due to a lot of reasons. There were times where I wasn’t fully sure with what I wanted from my story and characters. It is tough to write a sequel because you have to improve on a lot of things from the first book. You have to delve deeper into the story, develop the main characters (and possibly other characters) more, and really improve on your storytelling skills. In other words, a sequel is a step up from the previous story in many ways.

Then came times when I wasn’t sure if I was really over the hurdle. Meaning, I would read over the third chapter again and again, revising and revising it, trying to make sure it was good enough. Was it as much of a springboard that it needed to be? Did it really prepare the reader for the rest of the book? Was the chapter strong enough for me to move on to the rest of the story?

Well, a couple of weeks ago, I felt that way. I felt my third chapter was satisfying enough for me to continue writing the story. The springboard had a bounce to it.

While it will obviously go through rewrites and revisions like the rest of the book, I felt it was good enough for me journey on. I had gotten past the hurdle.

And boy, what a relief that is.

 

 

2016 – New Year, New Updates!

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art of writing, authors, book trailers, books, eBooks, how to write, sequels, vampires, writer, writers, writing, writing a novel

Hello everyone!

I know its 17 days into the new year, but I haven’t been able to wish everyone a happy new year. So I’m taking that opportunity right now. I’ve been crazy busy this month so far with work and getting another job squared away, as well as taking steps to laying the foundations of what I hope – and expect – will be a productive year for me!

With that, I will now give some updates on where my life is now. I currently work as a part-time reporter for a local paper, and in a few weeks I will start teaching as an adjunct professor for English 101 classes at one of the public colleges here in New York. I am very thrilled by the developments in my professional life, and look forward to see them grow even more this year.

Along with those developments, I am eager to see my authorship restart and grow by leaps and bounds this year too. I recently completed book trailers for The Dark Proposal, and I am offering to do book trailers for other authors. I am excited by the prospects of helping other authors – particularly self-published authors – expand and meet their audiences in a variety of ways.

That being said, you’re probably wondering what is up with my long awaited sequel to my first book? Well, the good news is that I am still working on it. The bad news, my work stalled due to the holidays and my other commitments. But I’m finding ways to squeeze in time to write this second book, which is great because I really am excited by what the sequel has to offer. I’ve mentioned this in other posts, but I just want to reiterate that I am excited. I have to admit that I am nervous though, because I’m approaching the story of Claire and the vampires differently, even though the original story stays. I have grown so much as a person and as a writer that my approach is far from what it was a few years ago. It’s amazing how much I’ve developed since releasing The Dark Proposal over three years ago.

Anyway, I just want to say that I am still actively writing. My goal is to complete the first draft of this book by the end of summer. The sooner, the better, of course, and I know I might be compared to George R R Martin, author of the series that inspired the HBO show, Game of Thrones. But life comes first, that is the way it is.

But I will finish this story. I’m a passionate storyteller, and will always be. I can’t not tell a story, so the sequel to The Dark Proposal will be out someday. I haven’t forgotten any of you!

 

Why Do I Write?

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art of writing, authors, books, craft of writing, inspiration, writers

Sometimes I ask myself this question: why do I write? Why do I feel the need to get out a paper and pen, or sit in front of my Mac, writing out whatever comes to mind? Why do I feel the need to create people, places, events and moments in the lives in the people who only exist in my mind? Why must I tell stories?

Is it because I haven’t outgrown a childhood stage where one lives in an imaginary world? Is it because I am addicted to daydreaming?

Or is it because I’m looking for an identity in this world? As in: I write, therefore I am.

Is it because elementary school teachers encouraged me to write, create my little worlds and tell stories about them? Did that praise at such an early age stay with me as I navigated through the hellish world of adolescence, where the need for self-esteem is so desperate? I mean, did I cling to my writing ability because it was the one identity that I had while growing up?

Perhaps yes, perhaps not. Now that I am (almost) 30 years old, I’m no longer a child who has a need to play make believe because its fun. I also am happier with my life now, and happier with myself than I was as a teenager (can you believe it was almost half a lifetime ago?) that I don’t need to call myself a writer for the sake of my self-esteem. I have other qualities that matter, thankfully.

But yet, I still feel the need to escape into a fantasy world and wonder what would it be like if XYZ happened. I also still feel the need to use words and play with them in order to communicate. I have no other way to express myself but through words. I can’t dance very well, I have a lousy singing voice, and I am not a natural painter. So writing is it for me.

Maybe its because my brain can only function with words. I mean, ever since elementary school, I was horrible at math – just plain horrible! I flunked every math test I ever took, and only passed math class out the mercy of my teachers. You should’ve seen my SAT scores in that subject; I think 90 percent of American high school juniors in 1999 did better than me.

So, maybe because my brain could not figure out numbers at all, it made up for that poor ability with language arts. In other words, with math out of the way, I had more space in my head to write and create worlds.

That’s a theory, in the biological sense. Maybe there are other biological reasons as to why I get a high when I am working on a story that had finally come together, or feel so happy just by writing alone. Even blogging as I am now, I feel so at home and can’t imagine doing anything else.

Maybe that’s the answer to the question: I can’t imagine doing anything else. Really, for whatever reason, I can’t stop writing and don’t want to.

Some writers like to answer “Why do I write?” by simply saying: “Because I can’t NOT write.”

Yeah, that just about sums it up for me. 🙂