Is A Writer’s Work Ever Done?

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am writing, authors, editing, James Joyce, novelists, Ray Bradbury, re-write, satisfaction, writers, writing, writing a book, writing a novel

As I work on the sequel to The Dark Proposal, I find myself writing and re-writing scenes or even entire chapters again and again. It is mainly because I am not satisfied enough with what I had written, so I re-write whatever I’ve done. I do this three or four times before I can say that I am satisfied with my work. Satisfied enough to move on to the next chapter (BTW, I’m up to Chapter 7 now!!!).

Which makes me wonder: is a writer’s work ever done?

Answer: Probably not.

Writers are often their worst critics. We always think there is a better word to describe a character or scene than the one we chose. We always think there are better words for our characters to use. We always think there is a better way to end a scene or chapter. There’s always the right words to use…and yet, we never seem to find them.

Famed science fiction writer Ray Bradbury was said to have put his away his work for a year, before re-reading and re-editing his WIP. James Joyce, the author of the classic novel, Ulysses, was said to have spent all day debating where to put a comma in his WIP.

Writers are never satisfied. There is always room for improvement. There is always something better to describe, explain or talk about. There is always a better word to use, or two or three. And with some stories, there are endless possibilities with the main character(s) that sometimes we wonder if we are covering all the necessary bases, and if we have to cover all of them at all.

Being a writer is frustrating.

And it is not only fiction writers, journalists, essayists, poets and songwriters who deal with this. Even college students writing their countless assigned essays are never completely satisfied with their work. When I discuss re-writing and editing one’s work with my students, I am amazed by how many admit to re-writing their essays even before they hand them in. They always say, there is always room for improvement.

Always room for improvement. So, if nothing is perfect, when does the room for improvement end? When does a writer say, enough is enough! When do we stop driving ourselves crazy?

For me, there is a level of satisfaction that comes with writing that makes me say, enough is enough. I could re-write a whole chapter ad infinitum. But it gets to the point where I cannot let my insecurities rule me like that and I have to say to myself, this chapter is good enough. I am satisfied enough with what I put down. Maybe not 100% satisfied with it, because that is starting to look like an impossibility. But 90% satisfied? 85%? Sure! I can live with that.

I may always want to improve on that chapter, and may just do so in the future before I actually publish my work. But there comes a point where I would need to stop, and say, enough is enough.

 

How Do You Choose a Story to Write?

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How does a writer decide which story they are going to work on? What makes them choose, out of all the ideas in their head, one specific one to work on and devote all their energy to?

Image via Flickr

From my perspective, it is all about timing. Sometimes there is something going on in the world that a writer has to respond to or interpret. Kind of like the 2011 novel, When She Woke by Hillary Jordan. That book is a take on the anti-abortion sentiment in the United States, which is relevant to many in recent years.

Or perhaps someone has something to say, such JRR Tolkien when he wrote The Lord of the Rings trilogy. Supposedly, he was inspired by the events of WWI, which he fought in, as well as his take on male friendships, which he supposedly felt was too fractured.

Or some writers pay attention to trends. A few years ago, BDSM erotica books were all the rage, thanks to the Fifty Shades of Grey Trilogy. At the same time, YA dystopian books were widely popular, and there were many different books of that genre.

Or quite simply, a writer is inspired by a muse, and they have to get that story out. No matter the trends, no matter what is going on in the world. There is something in their subconscious that is forcing words to get to paper, or a computer screen. Sometimes the muse chooses what book to write, not the author.

How about you? Who or what inspired you to write your most recent work?

Influences: “The Last Vampire” by Christopher Pike

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book series, books, Christopher Pike, series, The Last Vampire, vampire books, vampire fiction, vampires, YA, YA books, Young Adult

When I was in junior high, I read a lot of vampire stories. I read books by R.L. Stine and Anne Rice. I even attempted to read Bram Stoker’s classic novel, but could not get into it. But one book that stands out during my vampire book days was “The Last Vampire” by Christopher Pike.

Here’s an overlook of the book, and the other five that followed it in a series. The books are about Sita, a 5,000 year old vampire who is, seemingly, the one and only vampire left on earth. Although she is tiny, she is incredibly beautiful, extremely strong and quick, and falls in love quite easily. The latter means she falls in love with the son of a detective, mainly because she believes the son, Ray, is the reincarnation of her husband from 5,000 years earlier, Rama.

But Sita is not the last vampire around; her maker, the world’s first vampire, Yaksha, is still out there and is looking to kill her to rid the world of vampires. Yet, Sita survives Yaksha’s attempt and turns a dying Ray into a vampire, to save his life. This breaks a promise she made to Krishna that she won’t create any vampires, and thus will always have Krishna’s grace.

Click here to find on Goodreads

So begins the adventures of Sita, Ray and Yaksha. The adventures involve a trip to Las Vegas, flashbacks to Renaissance Italy, massive explosions, the death of Ray and Yaksha, Sita meeting a non-vampire who managed to live hundreds of years through alchemy (I forget the character’s name), and being changed back into human form. She also winds up pregnant, Ray comes to back to life as some sort of ghost, the baby grows at an abnormally quick pace and later turns out to be some sort of demon that Sita has to destroy. In the end, Sita meets with space aliens – or something like that – and is able to go back in time to kill Yaksha when he is born, and thus, never becomes a vampire and returns to life as though she never lived for 5,000 years.

At the very end, readers learn that Sita’s human nerdy friend, whom she cures of AIDS, had created the story of Sita in order to cope with having full-blown AIDS, and readers are to believe that the story of the last vampire was a product of his imagination.

Hmm. Sounds like a bad movie, right?

Now that I think of it…

Anyway…

I am aware that the series is being continued, years after the sixth and final book was written. I am not sure if I will ever take a peek at any of these books, especially now that I am aware that The Last Vampire series doesn’t sound very plausible. I mean, it certainly isn’t akin to the Harry Potter series in terms of storytelling.

But I do remember a few years ago, during the Twilight craze, walking through a bookstore, and seeing The Last Vampire being marketed as a new series called Thirst. I was thrilled to see that book cover, and thrilled to have memories of my early-teen days come back to me.

Those memories included chatting with friends about Sita and her adventures, and what will happen to her next. It seemed Christopher Pike’s vampire series was widely read in the mid-90s. Also included was my introduction to Hindu mythology, which these books are heavily based on. It showed me a new world, which back then was largely influenced by Catholicism.

I also grew fascinated with vampires, and wrote little short stories about myself becoming a vampire and what sort of adventures I would have as one.

Clearly, The Last Vampire series influenced me, as imperfect as they are. They also influenced the way I created my vampires. For example, I made my vampires walk around in the sunlight, depending on how old they were. This is all thanks to Sita, who could also walk freely in the sun, although she would be exhausted later on. In addition, my vampires, like Sita, do not sleep in coffins.

Even though The Last Vampire series is not the best one out there, it still has a special place with me. It made me fall in love with vampires, let my imagination run wild, and influenced me as a writer and storyteller. Creating stories are like building blocks, and sometimes there’s just that one book that leads to the foundation stone being placed. For me, it is Christopher Pike’s The Last Vampire series.

When It Comes To Writing, Don’t Overdo It

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art of writing, authors, book sequels, novelists, On Writing, the craft of writing, the writing process, vampires, writers, writing, writing a book, writing a novel, writing a story, writing advice

Writing a book teaches you a lot of things. You think you know, but you don’t know, and writing a book is quite an experience.

Writing a sequel is the same thing, only more. You continue to grow as a writer, while also learning tons about writing a follow-up.

Click here for original image on Jim Delorey’s website

One thing I am learning about writing a sequel is, don’t overdo it.

Heck, you shouldn’t overdo it when you write a first or stand-alone book.

But as I write my sequel, I realize there are times when I lose focus and I start to overdo it with my storytelling. Writing a sequel means picking up where you left off with the first book, and carrying on into another story or extending with the first book’s story. It is not as easy as it sounds. Especially when you realize there were some things that could’ve gone into the first book, and now you’re mentioning it in the second book.

And then you realize others things could be brought up. It’s like opening a can of worms when you write.

As I mentioned in my post about writing about vampires, world building is so much fun. But at times, it can be too much fun, and you might lose direction. That was a problem I had writing my sequel; I was having too much fun exploring the vampire world that I lost track of what I wanted the story to be about. When I revisited my work recently, I saw this and had to delete or re-arrange a few things.

Writing a story is so much fun. Writing a book is such a delight. But don’t try too hard. Don’t overdo anything. You can lose track and overwhelm yourself, your characters and the story altogether.

 

The Theme of My Female Characters

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As I work on my WIP “The Cats”, I notice that I seem to be repeating a familiar characterization of my main character, which happens to be female. Instead of writing a kick-ass, strong female, I’ve made mine, once again, timid and unable to fully stand-up for herself. Am I starting a trend in my stories?

It seems as if the best liked female characters, especially those that are the main characters, are tough and take no crap from anyone. But the main characters in my two books – “The Dark Proposal” and the WIP, “The Cats” – are the opposite. Granted, with my current project, the main character has to be because she is bullied. Bullied people aren’t usually strong, confident people anyway. The same goes for some people who get into abusive relationships, like Claire did in “The Dark Proposal”. I also have some story ideas where the female character is either timid or troubled. Very few of my story ideas have a strong, tough female character.

What does this mean? Am I against strong women?

Image via Pixabay

Far from it. As I once mentioned before when I discussed this topic, I prefer a kind of character who’s like a phoenix rising from the ashes. Personally, I find kick-ass, strong characters to be very boring. Especially since, in the case of the female character, they are almost perfect and not complex enough. It seems like female characters are not allowed to be complex, with strengths and weaknesses like all other human beings. Male characters are allowed to be flawed, but not females.

I also have story ideas where the female character is done right evil and does terrible things. Does that make me an anti-feminist? Again, far from it! I just believe in capturing the human race as it is. Women can be awful just like men, or be spineless as anyone else. That doesn’t mean that I am against women being strong or good. I just know from life’s experiences that women can be weak or evil, just like men.

I’m aware that many readers prefer strong characters, especially when it comes to women. I know that means I may lose readers or not have a huge bestseller if I stick to my formula for female characters. Hey, I may not even get a book deal with a major publisher that way. But I truly believe writers should write what is in their heart’s desire, rather than what is popular. I’m also someone who cannot write what is in my system, so I cannot write something that is trendy or would be a worthy bestseller. It just wouldn’t come natural, and I would be bored writing the story.

So, writing not-so-strong female characters looks to be the norm for me. Maybe that would be the theme for my characters during my authorship, as in, it would be something I would be known for. And I like that 🙂

 

 

Writing and Editing at the Same Time

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Some say when you write a novel, you should write first and save the editing for later. After all, if you do both, you’ll become distracted from the real goal of finishing the story’s first draft.

Well, I happen to be one of those people who edits as she writes. Meaning, I don’t save the editing for after I am through with the first draft; it is my priority alongside my writing.

Image by Nic McPhee via Flickr

Usually what I do before I write is that I read over the previous scene or two. Often I do this in order to get a feel for what is going on, so I could get into the ‘mode’, if you will. As I read over the scene, or scenes, I notice grammar or spelling errors. I also notice wordy paragraphs, redundant sentences, and things not well explained. So I edit these parts instead of saving them for later. I believe it is best to polish your work while you are creating it.

To best illustrate this, think of a sculptor. As the sculptor chips or carves away, some leftover pieces of the clay or stone remain on the artwork. This could be dust or pieces not yet brushed away. A sculptor has to brush away those pieces in order to continue with its work.

In other words, when I write, I edit in order to move on. The previous step – in this case, a previous scene – needs to be sharpened as much as possible before I move on. Of course, the actual sharpening comes much later, but I am all for sharpening all the way. It is a way of perfecting your work, and possibly making the editing easier in the end. It is also a good warm-up for the writing you are about to do.

How about you? What is your take on editing as a novelist writes? Do you support it or believe it hinders a writer rather than helps? What is your method of writing and editing?

Fire away!

Writing the Theme of Your Story

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art of writing, authors, character arc, character development, craft of writing, creative writing, story arc, story development, story theme, theme, themes, writers, writing, writing a book, writing a novel, writing a story

Themes are a big part of a story, any story – especially the good ones. They’re as important as, say, character arcs, plot development and so on. They’re the heart and soul of the story.

As author K.M. Weiland explained on her website:

Why are you writing this story? Why are you writing about these characters? What is it about their journey that has drawn your heart? What is the core of the tale? Justice, mercy, love, revenge, self-discovery? Whatever it is that’s moving the characters is what’s also moving your story. That’s your theme.

Supposedly, theme cannot be planned or forced, but instead come naturally. Theme appears in the story as you write your arcs and developments. It blossoms on its own, an echo of your subconscious. It is the fuel for your story. It is the reason why a writer writes in the first place.

Anne Rice wrote Interview with the Vampire to explore death, mortality and losing God. The Kite Runner is look at the complicated relationship between fathers and sons. Love in the Time of Cholera‘s theme is love in all its variations.

So, why did I write The Dark Proposal? And why am I writing its sequel?

The reason why I wrote my first book is because I wanted to explore abusive relationships. Having been in difficult ones – though no where near as Claire did with Daniel – I felt like I needed a release. I also wanted to write a vampire story where the vampires were once again evil and deadly – the exact opposite of what was popular four years ago.

But did I succeed with theme? What was the theme of my story?

Chuck Wendig describes theme on his blog as:

Every story’s trying to say something. It’s trying to beam an idea, a message, into the minds of the readers. In this way, every story is an argument. It’s the writer making a case. It’s the writer saying, “All of life is suffering.” Or, “Man will be undone by his prideful reach.” Or “Love blows.” Or, “If you dance with the Devil Wombat, you get cornholed by the Devil Wombat.” This argument is the story’s theme.

A friend of mine says the central idea of The Dark Proposal was “be careful what you wish for”. He explains that Claire so wanted to have a rich lifestyle, that she was blind to Daniel’s abusive ways, and then later, used it as escapism for the vampire life she was about to enter. That’s one way to look at the argument.

Image via Pixabay

I have grown so much as a writer during the four years since I wrote my first book. Today, I am focused on going deep with my stories and being more honest with myself when I write. I don’t think I was very honest as a writer when I wrote The Dark Proposal. Part of me cringes when I admit that. But as one musician friend told me, if you do that, then it means you are growing as an artist.

Writing from the heart is not easy. You are literally exposing yourself as a human to hundreds, thousands and maybe even more to judge and tear apart. It is scary enough to produce a book that you poured your heart and soul into. And by that, I don’t mean every part of your mind. The best artworks come from the very essence of the person, their heart.

So as I seek to be more honest as a writer, what theme do I hope will come out of The Dark Proposal’s sequel? I know I cannot force it, but I really hope redemption and healing would be one or both. Actually, I hope it will be the theme for the whole trilogy (yes, my book was meant to be the first of three). I also like the whole “be careful what you wish for” theme will come into play. I’m sure there’s always more than one theme in a story, or different ways to figure out the theme.

Or rather, what kind of redemption and healing do my characters need in order to fuel that theme?

Claire needs to heal and be redeemed from her mistakes and naivete. Daniel needs to be redeemed from being so evil. There is room for redemption and healing for Hilde, the Five Brothers and even The Black Roses. Even Samantha and Monica need to heal. There’s a lot of pain in The Dark Proposal, and everyone has a lot of coming to terms to do.

Which raises another question: what kind of writer do I intend to be? Sure, I want to be one that goes deep with questions and the human experience. But will be the regular theme in my stories? Will there always be a re-occurring one? Who knows? But since themes come from the heart of the writer, maybe the themes of my stories will be similar, just written differently. Or not. It also depends on the perspective of the reader.

The key here is to keep on writing, and get more to the heart of what I’m trying to say, or express. But I obviously cannot force myself to expose my heart in a story, just like a theme cannot be forced.

I’ll let Chuck Wendig finish off the meaning of theme:

A writer can engineer the theme — building it into the work. Or a writer can unearth it — discovering its tendrils after the work is written.

 

Writing a Story is Like a Coloring Book

I have to say that writing a story is like those adult coloring books. You probably have heard that the latest trend now is coloring books made for adults. I have a book myself, and I find it so addictive! It certainly helps me focus when I feeling stressed.

Image by Maxime De Ryuck via Flickr

Anyway, as I color and as I write, I notice how the two are related. When we color in our adult books, we are filling in the blanks with the most appropriate colors for a specific drawing, or the best color that blends well with another.

I feel it is the same with writing a story. You have a blank page, and then the outlines are put in. Then slowly, bit by bit, you color in those outlines with the best colors to detail the story. Once all the colors are in, you’ve got your story fully done.

What I mean by that is, the outline of a drawing in a coloring book could represent the basic outline of your story. It could be a literal outline, or the first draft. The colors, especially the main ones to fill in the large blanks, are the major factors of the story. They include character development, climax, resolution, and all the others that make a story a story. Finally, when you color in the smaller blanks, you are adding specific details, such as a description, background information or brief dialogue. That is what I mean by a coloring book being like writing a story.

Of course, unlike coloring books, you are free to delete certain scenes or re-do them with different…colors, so to speak!

Writing a novel is not easy. There’s a lot of blanks to fill in and the outline has to be well-done in order to proceed with those blanks. But if done carefully, you can create a beautiful story.

 

Outlining Your Story Using Spreadsheets

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I’ll be the first to say that I am a Spreadsheet Queen. I can’t live without spreadsheets. Whether it is to keep track of finances, freelance work, or plans for the summer, spreadsheets is the way to go for me, and likely for many other people.

That probably also includes fellow authors outlining their next book. Some authors choose between outlining or flying by the seat of their pants when it comes to writing. I myself have debated this issue. But lately, due to my crazy schedule, I find it best to outline. And I’ve made that possible for myself through spreadsheets.

How do I outline using spreadsheets? Simple. I make each column represent each chapter. So when you see my sheet, you’ll see Chapter 1, Chapter 2, Chapter 3… all lined up in columns. Next, I put the scenes of each chapter in the rows. This is a good way to figure out which scene should end or begin a chapter, or which scene belongs in which chapter.

Photo by Craig Chew-Moulding on Flickr via Creative Commons

Doing this has made the planning of my sequel very easy. Granted, I do not stick to it religiously; I have moved a few scenes around and added a few more without consulting my spreadsheet. But overall, spreadsheets has been helping me keep track of the scenes of my second book.

It is not unusual for authors to use this to help plot their books. JK Rowling plotted her Harry Potter books using spreadsheets, and I’ve seen a few other, less-known authors do the same thing.

Because life can be so busy sometimes, I recommend authors to outline their stories. It is too easy to come up with an idea, only to not be able to write it down because either you’re at work, going to or from work, or busy with home life. Also, writing is a discipline, and if you are working on a book, you need to be organized and professional about your craft and your story. I was not like this when I wrote my first book, but then again, I was unemployed at the time. That meant having plenty of time to write whenever I pleased, as much as I wanted.

Nowadays, I do not have that luxury and I have to rely on spreadsheets to make my next book possible. It is funny how being a professional these days has made me rely on a program intended for professionals, in order to be more professional with my story!

Raise your hand if you use spreadsheets to help organize your story!

 

Choosing the Appearances of My Characters

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I was meeting with my writer’s group this week, and as always, we discussed our latest projects and what we are doing with them. Somehow, the topic of characters’ physical descriptions came up and it lead to an in-depth discussion on how authors describe the appearance of their characters.

This is a topic I’ve seen pop up on Goodreads, Google+ and other places where writers gather to chat. It intrigues me that something that seems trivial sparks such debate, as akin to writing in present or past tense, how explicit a sex scene should be, and so on. I say this because I am the type of writer who likes to describe the appearance of my characters.

Not that I go into total detail, right down to a small freckle or chipped tooth. But I do like to tell a reader what color is the hair and eyes of my characters. I do this because I find it fun to imagine what my characters look like. I’m the kind of author who often wonders what actors would play them, if my book or other story ideas were to ever be made into a movie or TV show.

In addition, I believe hair and eye color say a lot about how that person would be perceived by readers. Whether we like it or not, people are judged by their hair and eye color. Dark haired men are seen as seductive and masculine, while blond men are seen as boyish and playful. Blond women are seen as youthful, fun and a target for casual sex. Brunettes are serious and good for long-term relationships. Redheads are vivacious and easy to remember. Blue eyes represent innocence, while brown eyes represent seriousness.

Granted, these are all stereotypes that can be largely untrue. But color represents something, especially when it comes to hair and eyes. And the aforementioned stereotypes do come to mind more often than we admit (the saying “blonds have more fun!” is a popular theory). So, when I am deciding what my characters look like, I can’t help but consider what hair and eye color represent.

Photo by Matlachu via Pixabay

My main character, Claire McCormick, has brown hair and blue eyes. I deliberately chose that because I wanted a mix of innocence and seriousness for her. She’s a 22 year-old college grad who is naive and insecure in a lot of ways, but has room to grow and be tough. She’s also not an aimless, carefree person. So with that, I gave her brown hair and blue eyes.

Now, imagine I made her a blond. That would change your perception of her, yes? It could also change your expectations of her. Red hair just wouldn’t work, and neither would jet black hair. Don’t get me started on pink, lavender or gray hair.

Some would point out that if light-haired men with light-colored eyes appear harmless, why did I make the evil Daniel Poncher, Claire’s vampire boyfriend, look like that? Because I wanted to through my readers off. Since Daniel is practically the abusive boyfriend, giving him dark hair and eyes might make readers more fearful or angrier at him than they need to be. He might also come across as too sinister than he already is. So by having him with light brown hair and blue-green eyes, he’s less threatening, even though he is a threatening character. I simply wanted to have a contradiction for Daniel, and it also makes it easier for me to write about him. Having him tall, dark and handsome (OK, he is a handsome guy) just wouldn’t have worked for me.

Now let’s look at height. Daniel is medium height, about 5’8″ while Claire is a medium sized girl at about 5’5″. This is the first time I ever mentioned their exact heights; I only mention that they are of medium height once in The Dark Proposal. I left it vague because I did want my readers to figure out their exact heights on their own, and also because the exact measurements weren’t too important. But did it matter to mention that both Claire and Daniel were of medium heights for a man and a woman? Yes, because I feel with those heights they are both less threatening and more likely to be taken seriously by readers. If Claire was something like 5’2′, readers would probably fear more for her physical safety in the hands of Daniel. But if she were 5’10”, they would probably feel she should beat him up in retaliation (then again, relationship violence can happen to anyone of any size). At the same time, I feel having them as medium sized makes them easier to relate to and are more approachable as characters.

There’s a lot of explore with this topic. So much goes into why authors make their characters look a certain way, or choose not to give any description at all. It is perhaps a bigger topic than choosing to write in present or past tense, or writing violent or explicit scenes. It gives a whole new meaning to the saying, “To be or not to be?”

What are your thoughts? Do you think certain hair and eye colors effect how you see characters? Does it matter or not? Or is it all subconscious?